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Uma aprendizagemou 0 livro dos prazeres, ClariceLispector’ssixth novel, has Although in Uma aprendizagemboth Lori and Ulisses go througha process of. Buy Uma aprendizagem, ou, o livro dos prazeres: Romance 7a ed by Clarice Lispector (ISBN:) from Amazon’s Book Store. Everyday low prices and free. Buy Uma Aprendizagem Ou O Livro Dos Prazeres – Audiolivro (Em Portuguese do Brasil) by Clarice Lispector (ISBN: ) from Amazon’s Book.

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Uma aprendizagem ou o Livro dos prazeres: Agencia Literaria Carmen Balcells

In this This content downloaded from Porque alguma coisa desconhecida estava suavemente acontecendo. In one of the final episodes of herpersonalapprenticeship,L6rireturns home andnotices, on the table, a red applethatimmediatelyattractsandholds herundivided attention.

Both interpretationsare equally possible and both are mutually incompatible: Indeed, Ulisses refuses to become L6ri’s teacherin the literal sense of the word: The storyof Uma aprendizagemprovesto be composed, in fact, of two different stories, reflected in the duality of the novel’s title and in the contradictoryinterpretationsit has inspired.

Saenz de Tejada, Cristina.

His definition of literaryambiguityrequiresthereforenot only thatthe text be composedof signs that are in ljspector way multidirective,but that there be both a clear-cutincompatibilityand an imperative demand for the reader to make a choice between the conflicting interpretations. As Roland Barthes has observed, love in itself has no story ; Lispector’streatmentof love most commonly underscoresits fundamentalnarrativeamorphousness,the singularlyscriptlessqualityof its blinding revelations.

Do discourseandresolutionmay be called truly postmoder, in the sense LindaHutcheonattributesto such complex epithetsof our times as “decentered,””indeterminacy”and, most notably, “postmoder” itself, epithets which paradoxicallypreservethe very signifiers they aim to contest 3. As criticshave noted,they at the sametimefulfill their mythical roles and exchange them with one another: Both also bear names of mythical characters: It is a story of a romance,”a philosophically serious love storyin the most complete and unifying sense of the term” Fitz Skip to main content.

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Era o comeco-de um estado de gra9a” L6ri, even as she agrees to Ulisses’ terms and embarkson an epic voyage of self-discovery, continuesto behaveas a sirenwho charmsherresistantcompanion by wearingexpensive, tight dressesand applyingelaboratemake-upin preparationfor apgendizagem dates.

Talvez se dso fusao perfeita. What happensnext is a reversal of the Gardenof Eden scenario;contraryto Eve, L6ri, by biting into the apple, achieves the state of grace: Era a maresia, palavrafeminina, mas para Lori o cheiro maresia era masculino.

A narragaodo romanceutiliza-se ao mesmo tempo de outratramaformulaica,esta bem mais comum na obrade Lispector: University of Chicago Press, New York and London: Uma aprendizagem, as comparedto Lispector’s earlier works, is far more emphatic in foregroundingthe genderof its protagonists,due bothto the novel’s thematicconcernsand the predominantlydialogic structureof its discourse Fitz Mazzara and Lorri A.

Parris, who explain their decision in a footnote. Formally, this is the most extreme among Lispector’s often open-endednarrative structures;likewise andby contrast,the conventionalhappyendingof the romancebetween L6ri and Ulisses comes off as an anomaly when compared to the far less conclusive resolutions of works such as A maca no escuro, A paixao segundo G.

Ja nao precisade coragem,agoraja e antigano ritualretomadoque abandonaraha milenios” The sea she encountersis a powerful presence, “a mais ininteligivel das existencias nao-humanas,”which the woman L6ri confronts as its perfectly matched other, “o mais ininteligivel dos seres onde circulavasangue” A analise aqui empreendida concentra-se no relacionamento entre estes dois fios estruturaise tematicos,partindoda constatagcode que as aprecia96escriticasde Umaaprendizagemtem em geral insistido em demonstrarou uma simbiose entreos objectivos distintosde amore de aprendizagem,ou, pelo contrario,uma relacaoantag6nicaentreestes, sobretudono que diz respeitoao desenvolvimentoda personagemfemininaL6ri.

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JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. University of Toronto Press, Indiana University Press, Readers of literarytexts find themselves prazeree involved in the interpretationof polysemic data: Um Sopro de Vida.

In fact, some of the strongestaffirmationsof sexualdifferenceatits most conventionaloccur,within the discourse of the novel, well after the sea bath episode, as in the scene where Ulisses, after he and L6ri have dined at an expensive restaurant,takes care of the fireplace: It is only within this context thatthe novel becomes truly”ambiguous”in the sense definedby Dixon, the critical interpreterbeing ultimatelyforcedto choose whetherto readit as an uplifting,humanisttale of love triumphantor a sly feminist parody,not to say condemnation,of the romanceplot and male and female discursive and social conventions.

Conversely,the discourse of the novel makes emphaticallyexplicit its refusalto become containedin such a lsipector. For the writersselected by DuPlessis, the narrative site from which they undertaketheirscrutinyandrevisionof the fictional canon is precisely the romanceplot, in its traditionalformthe main villain of the literaryheritagedescribedby the critic: