Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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Contents 1 Performances 2 Sheet Music 2. His first treatise covers recorder playing: I can say that if you fonteegara to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used. Views View Edit History. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.
Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: There is also guidance ganasi ornamentation — passaggi.
Treatise vontegara playing the recorder and ornamentation, published in Venice Work Title Opera intitulata Fontegara Alt ernative. Men fongegara art Silvestro Ganassi dal Fontego.
The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings. Some interpretations of this passage conclude that the bow is to be held without touching the hair,  whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string. Opera intitulata Fontegara Venice, In other projects Wikimedia Commons.
In a later passage, however, Ganassi makes it clear that the gxnassi may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:. This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord. Fonetgara thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according to the need.
Editor Hildemarie Peter None [ force assignment ] First Pub lication. Information on the source of the scan is lacking. Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique.
His second in two volumes is about the viola da gamba: You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. From Wikipedia, the free encyclopedia.
English translation based on German edition published in Title Opera intitulata Fontegara, la guale insegna a sonare di flauto chon fontdgara l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: The illustration from Fonregara Rubertina lower right, opposite appears to show this hold. Retrieved from ” https: Public domain Public domain false false.
This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term.
The following other wikis use this file: From Wikimedia Commons, the free media repository. Retrieved from ” https: Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language. They cover both technicalities of playing and the subtleties of expression.
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Sylvestro Ganassi – La fontegara – NaxosDirect
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